How I Built an AI Team for Church Communications

One person running communications for an entire church. Too many channels, a grind of a workflow, and an AI that had no memory. Here’s how I built a team of named AI agents — and what actually surprised me about it.

How I Built an AI Team for Church Communications

I clicked on a YouTube video because I thought the title was wrong.

Note-Taking Apps Are Dead. That felt like bait. I’ve been living in Obsidian for years — before that, Bear, before that, Byword. I’ve been writing in Markdown longer than most people know what Markdown is. The idea that note-taking apps were dead seemed like a hot take for clicks.

I was right that the title was wrong. I was wrong about what the video was actually going to say.


I should back up.

I’m the Communications Director at New Hope Church in Brandon, Florida. My job is to take ministry vision and turn it into messaging that reaches people — campaigns, social media, the website, sermon content, weekly emails. One person. A lot of channels.

For a while, my solution was ChatGPT. It helped. I’d built up a solid library of context documents — the church’s theology, mission statement, voice guidelines, staff structure — and fed all of it into projects so the AI had something to work with. The writing was better than starting from scratch.

But the workflow was a grind. Ask a question, get an answer, copy it out, paste it into Obsidian, spend five minutes cleaning up the formatting because something always broke in transit. Every campaign. Every week.

The other problem was context. Every time I started a new campaign, I was starting from nothing. I’d have to manually load old files, remind the AI what we’d done before, explain how this year’s Easter connected to last year’s Easter. The AI was a good writer. It just had no memory. Custom GPTs helped speed it up, but not enough.


That YouTube video introduced me to a different way of thinking about it. Not note-taking apps are dead — that part was still wrong. But the idea of building a dedicated team of AI agents, each with their own role and their own voice, instead of asking one generic AI to do everything?

That landed.

I knew Claude existed. I’d looked at it. But I’d already put real time into my ChatGPT setup — the context documents, the projects, the whole system I’d built — and switching felt like starting over. The pain of staying has to outweigh the pain of changing before you actually move. Eventually it did.

So I ran a small test: I gave Claude access to my Obsidian vault and pointed it at a problem I’d been wrestling with for months.

We have a church-wide planning document — a live Word file that lists every event on the calendar. Staff update it constantly. The problem is, the moment you copy it anywhere, it’s out of date. I could never get a stable version into my vault without it immediately going stale. And because I couldn’t annotate it or link it to campaign notes, I kept re-reading it every week trying to remember: did I already deal with this event? Does this need marketing? Did I talk to someone about this?

I asked Claude to convert it to Markdown, search my vault, find every campaign note that already existed, and wire in wiki-links.

It did. And it found the right notes — not by exact filename, but by context. It figured out what I was asking for. That was the thing that made me sit up.


None of this is as foreign as it sounds.

You probably already automate more than you realize. You ask Siri for directions rather than unfolding a map. Your bills pay themselves. There’s an out-of-office reply handling your email while you’re gone — a thermostat that learned your schedule without you explaining it — a podcast app that downloaded the new episode before you even knew it was out.

None of that felt like a philosophical shift. It just made sense. AI is the same thing, just further up the stack.

So I built the team.


I named them after nerdy characters — Jarvis is the orchestrator, Vex handles social media, Samwise writes blog posts, Tuvok handles sermon content, and so on. Partly because it’s fun. Also because names like “Social Media Bot” would never stick in my head. My coworkers give me funny looks when I talk about it. My wife asked, sincerely, “What do you mean you have a staff?”

I didn’t have a clean answer. I still don’t, really. But here’s what I know it actually does.

The writing sounds like us. I’d already built those context documents — church theology, voice guidelines, mission and vision. Claude didn’t just have them as reference files. It used them to shape each agent’s voice from the inside. The social copy sounds like New Hope. The blog posts sound like me writing about New Hope. Before, the AI had the documents. Now, the team has internalized them.

The social media writer knows what else is happening. I’m notoriously bad at posting the same copy on Facebook and Instagram and then realizing the link doesn’t work on Instagram. Vex knows that. She also knows what’s on the calendar for the week — so when she’s deciding what to highlight, she’s looking at the whole picture, not just the campaign I handed her. She mixes in non-promotional content, faith-engagement posts, things worth sharing that have nothing to do with an event. That’s a real shift. I’m not using AI to write more promotional posts faster. I’m using it to write less promotional content, because the system knows enough to do it right.

Campaigns have memory. When we run Vacation Bible School this summer, the team has access to notes from every VBS before it — what worked, what the graphics looked like, what we promoted and when. I don’t brief it from scratch. It already knows.


Here’s what I showed a colleague a few weeks ago: a social media draft, before I’d touched it. She read the Instagram caption for Fifth Sunday Kids in Service — “We have no idea exactly what’s going to happen — and that’s exactly the point.” — and laughed. It worked as straight invite copy. It also worked as an inside joke for anyone who knows what Fifth Sunday at New Hope actually looks like. She was genuinely surprised the draft was that good before I’d edited it.

My workflow now: I read the output, make notes in the margin, dictate my edits back to Claude, and it rewrites. I don’t re-edit by hand. I correct the direction and it executes.


I still use Obsidian. The note-taking app is not dead. But I’m not spending my Sunday afternoons building Dataview queries and MetaBind fields to make my vault display data correctly. I just tell Jarvis what I need and it happens.

Couldn’t have told you that a year ago. Not the writing part — I already knew AI could do that. The part I didn’t see coming: that it would know everything I’d already done, understand what else was happening that week, and sound like my church when it wrote.

I clicked on a video because I thought the title was wrong.

It was. But it changed how I work anyway.


Stuart Mackey is the Communications Director at New Hope Church in Brandon, Florida. He writes about church communications, technology, and the weird overlap between the two.


Getting Started with Vilia: Building My Campaign World

Discover the process of building a D&D campaign world with practical tips from creating a detailed map to playtesting with players. Learn how to balance planning and flexibility to create a dynamic and engaging world like Vilia.

When I first decided to create my own campaign setting, I had big ideas about a detailed world full of unique cultures, politics, and histories. I imagined my players getting lost in it for years. What I didn’t expect was how much work it would be, with a mix of creativity and frustration along the way.

From Big Picture to Focused

I kicked things off by spending a month on world-building, using prompts to sketch out different aspects of Vilia’s cultures and politics. I also used Azgaar’s Fantasy Map Generator to create a global map and began working on the relationships between about 24 countries. But trying to manage an entire world right off the bat was overwhelming.

So, after a few months, I decided to narrow it down. I focused on just one continent—Thalandria. This change allowed me to really dig into a few key states without feeling stretched too thin. It also made everything start to fit together more naturally.

Lessons from Playing the Game

One of the biggest things I’ve learned is how important it is to actually play in your world as you’re building it. Over the past year, I started a campaign set in Vilia, using Thalandria as our main setting. Seeing what my players were interested in helped me figure out which parts of the world worked and which didn’t. Their choices and actions even started to influence the world itself.

In a way, I’m glad I didn’t over-plan before we started playing. Letting the world grow through player interaction has added layers that I couldn’t have predicted. But, on the flip side, I do wish I’d had an outline from the beginning.

Why an Outline Matters

Looking back, I wish I’d created an outline for both the content and the structure of the campaign book. I spent a lot of time jumping around between cities, factions, and NPCs, without finishing the world’s main story first. For example, I didn’t flesh out the Pantheon of gods until after we’d started, which meant going back and rewriting the history to fit.

This whole process has been a bit chaotic, but it’s taught me the value of having a plan. It saves time and helps keep the world consistent. But I’ve also learned that leaving room for player influence makes the world more dynamic and interesting.

How AI Helped Along the Way

AI has turned out to be surprisingly useful during this process. It’s been a great way to bounce around ideas and generate random content, much like rolling on a d100 table. Whether I needed a fresh idea or just something to get the creativity flowing, it’s been a handy tool.

Wrapping Up

Building Vilia has been a mix of challenges and discoveries. If you’re thinking about starting your own world-building project, I’d suggest starting small and letting things develop naturally. But don’t skip the outline—it’ll keep you on track. Finding a balance between planning and flexibility is key to creating a world that feels alive.

As I keep developing Vilia and exploring Thalandria with my players, I’m excited to see where things go next. Maybe someday Vilia will be a world others can dive into through a published campaign book. For now, I’m just enjoying the process and seeing how it all unfolds.

How to Use OBS for Live Streaming Worship Tutorial

https://www.youtube.com/embed/s7C9tEZkGso

This Tutorial is a quick and dirty how-to for churches who need to begin live streaming quickly and don’t know where to start. Let me know what you think in the comments or email me.

Links

  • OBS: https://obsproject.com/
  • How to use Keynote with OBS: https://www.youtube.com/watch?v=vRc4VXqLn5I

Products Mentioned:

Is Your Show Uniquely Better? #gls17 #veda

The following post is a straight copy of my notes I took during the session by Andy Stanley of North Point Church at the Willow Creek Global Leadership Summit 2017.

How to Create a Culture That Fosters Uniquely Better

#1 Be a Student, Not a Critic Never criticize something you don’t understand.

#2 Keep Your Eyes and Your Mind Wide Open Listen to outsiders. Listen to people outside your industry. Listen to people who don’t understand what you do or why you do it.

Outsiders aren’t bound by assumptions.

Closed-minded leaders close minds.

#3 Replace “How?” with “Wow!” “WOW ideas to life, don’t HOW them to death.”

#4 Ask the Uniquely Better Questions As long as you’re looking for UB, you’re predisposed to recognize them.

UB Questions:

  1. Is this unique?
  2. What would make this unique?
  3. Is it better?
  4. Is it better… really?